A LIFE IN ORBIT (Part 5) ‘Echuca’

An old locomotive wheezed and clattered
as it carried me rapidly from the city
to lonely paddocks
where livestock lazily browsed.

Arriving three hours later
I carried my luggage
to the Echuca Technical School
because I had nowhere to stay.

I left my suitcase
at a red brick edifice
when directed
towards the Murray River.

Adolescent boys inside a pontoon
were splashing the tepid water
into dissolving patterns
supervised by indifferent teachers.

Moments suspened in time
frozen in the summer heat
in a sort of limbo
waiting.

I was ferried around
hotels and guest houses
until a teacher suggested
I share his hotel room.

The next day
I met my art department colleagues
and some others
later in the staffroom.

Pupils stood at attention
intoned the oath of allegiance
saluted the flag
and were marched to classes.

Forms were graded
alphabetically
according to ability
from the brightest to the dullest.

I taught free drawing
alternating with lettering
and clay modelling
in solid form and relief.

Folios were distributed
with sheets of drawing paper
quarto size for forms 1 & 2
half size for form 3.

It was teaching the old fashioned way
with the holiday themes, posters
and outdoor sketching
from something on the blackboard.

Corporal punishment
was used as a teaching aid
and as a means of self defence
with the strap the usual weapon of choice.

The unwritten syllabus
involved psychological warfare
waged unremittingly
with casulaties on both sides

My Achilles was discovered
with devilish ingenuity
when the term mulehead
could drive me to impotent distraction.

As a suburban stereotype
I was unprepared
for those early country days
of tedious, lonely Sunday ways.

Isolated and at a loose end
I wandered dreary empty streets
at times sharing my room with drunks
with my roommate was away weekends.

It was different during the week
with procedures to learn
discipline to keep
and classes to teach.

But I deceived myself into thinking
I had the ability to succeed
and would dedicate myself
to a long and illustrious career.

In reality I was still drifting
just going through the motions
hopelessly optimistic
with little will of my own.

I flew back to Melbourne
to pick up a car
a black FJ Holden
Pop managed to get for me.

Drinking was a social way of life
with choir practice on Fridays
at the Caledonian Hotel
with Pete telling dirty jokes until six.

Across the border
over the bridge that spanned the river
at Moama in NSW
such restrictions didn’t exist.

I was about to leave
on the last day of the year
and became aware
of someone hovering nearby.

She was a pretty student
whose name was Jill
and it appeared
she had missed her bus.

Gallantly I offered to drive her home
to her parent’s dairy farm
thus beginning
a brief and romanic interlude.

We drove to a lake one evening
to enjoy the view
but got bogged and had to phone her Dad
who towed us free laconically.

Helen
arrived at the school
to catalogue the library
and enhance my social life.

Kissing her could be an ordeal
in the lobby of her hotel
while the same guest appeared and reappeared
like a horse on a carousel.

That and holding hands
lasciviously
was about as far as you went
back then.

I left the pub and rented rooms
then foolishly agreed
to drive the landlady’s son
across the border to NSW.

Instead of leaving
I stayed too long
and became involved
in a drunken altercation.

When he insisted I take off my coat
we became involved
in a stupid scuffle
until we were finally separated.

My landlady was informed
and icily asked me to leave
but I soon found refuge
with Bernie my boozy colleague.

I later moved
to a primitive weatherboard shack
on Miss Hicks’ turkey farm
with a vicious blue heeler.

It was my final year
at the Campaspe River shack
without refrigeration, hot water or TV
and only a wood stove and outhouse.

Some hot summer evenings
I would drive over forest tracks
to stop by the river
and swim naked and alone.

I played tennis
on nicely manicured grass courts
and table tennis socially
and competitively.

On dull boring Sundays
I’d drive into NSW
and roam tussocky paddocks
seeking rabbits to shoot and cook.

I joined the local drama group
with Doll and Fred
to paint and design props for plays
even appearing as an extra once.

I painted a portrait
of the chemist’s wife
although I knew
my interpretation pleased her not a jot.

A private pupil
(who unknow to me was a notorious cheat)
owed me money
and disdainfully refused to pay.

The Echuca schoolchildren
were taken by special train
to see the 1956 Melbourne Olympic Games
and a bout of food poisoning for me.

Later in the year
when the rivers flooded
I helped build sanbags
to build levee banks.

I was going nowhere
as a temporary teacher
without teacher training
and the required industrial experience.

Allowed one year (out of two)
in lieu of part time work
I thought I’d paint overseas
to qualify for teacher training.

With Pop’s financial help
I booked a cabin
on a cargo-passenger vessel
the Tintagel Castle.

A LIFE IN ORBIT (Part 4) ‘Swinburne’

Disconnected from reality
I floated with the tide
towards an unknown future
where despondent waters flow.

Washed ashore
bedraggled and dripping
ambulatory
but no longer drifting.

Teetering through disasters
inhumanity’s wasteland
a brutal world war fading
its cold sequel in the making.

An all in brawl behind closed doors
blinds drawn and shutters closed
with idealogical graffiti
scrawled on Berlin’s wall.

Weird incarnations or strains
of Neanderthal man
had been democratically elected
by a majority of voters.

Pompous politicians
with fixed ideas
and stationary minds
governed Australia through the 50s.

The government of Pig Iron Bob
Menzies (or Ming)
maintained its influence and power
through fear, innuendo and smear.

I was a victim of those times
when contemporary art
which began with Cezanne
was deemed degenerate by Ming.

I worshipped at the National Gallery (or shrine)
where the art of the past
resplendent in gilded frames
was devoutly displayed.

Unthinkingly
I learned to appreciate
the imoposed aesthetic standards
of our nation’s artistic heritage.

The establishment
and the great artists from our past
spurned the emerging genius
of Nolan, Tucker, Perceval and Boyd.

The old Swinburne art school
was three story brick
with a pottery in the basement
and painting studios on the top.

Programmed with preconceptions
I optimistically began (as an artisan)
and learned to imitate laboriously
the traditional representational way.

Taught to draw accurately
we copied casts
and rendered the nude
until cramp or rigor mortis set in.

It was art based on the past
draughtsmanship and the golden mean
with little creativity
a beginning without an end.

In between I learned to box
sparred and skipped
taking punches on the chin
and jabs bang on the nose.

Sometimes I would borrow
Pop’s Willys station wagon
and go camping rough
with some mates from Swinburne.

We’d seek
but rarely find
idyllic camping sites
near inaccessible rivers.

After two years we specialised
I chose painting
and at he same time
fell madly in love with Mary.

She entranced me
embraced my mind
with her beautiful legs
jet black hair and soft warm hands.

I clasped one of them
at an art school ball
when she invited me to dance
because I was too shy to ask.

So crazily intoxicated
overwhelmed by her presence
so adorably devastating
I fled during every model break.

Scampering away, down the stairs
to the pub just minutes away
to guzzled a beer
before returning.

I graduated top of my final year
with no prospects of an artistic career
except as an art teacher (temporary)
but a new direction.

A LIFE IN ORBIT (Part 3) ‘Drifting’

At age 15, elated to be free
a prisoner of my naivety
and without qualifications or prospects
I began to drift . . .

Insulated against adversity
without goals or ambitions
I existed vicariously
in Pop’s expanding shadow.

I began my career
optimistically ignorant and innocent
a paradox in a suit and tie
waistcoat, snap-brim hat and signet ring.

Travelling by train
from Gardiner station
to Flinders Street in the city
I walked to William Street.

Employed as a temporary clerk
I assisted accountants
checking mountains
of invoices, vouchers and receipts.

We caught a bus
to General Motors
who provided Pop with a car
and days of drudgery for me.

Assiduously checking
repetitively ticking
with breaks for morning tea and lunch
and biscuits in the afternoon.

Bovinely contented
routinely anaesthetised
I was a mechanical marionette
with a calculator instead of a mind.

I always had another life
at different places, in other worlds
where I could fantasise
insulated from the daily grind.

It began with children’s stories
fanciful stimulating tales
freeing me from the world outside
so different from the one inside.

My love for the classics began
with themes from radio serials
Mendelssohn’s overture to Fingal’s Cave
and Liszt’s Hungarian Rhapsody No. 2.

Movies were another delight
at the matinees on Saturdays
Disney cartoons and corny serials
Buck Rogers and The Green Hornet.

My school exercise books were scrawled
with pictures of Spitfire fighters
shooting down Heinkel bombers
and swastikas on German helmets.

Grandpa took us to see Dumbo
but because the cinema was full
we crossed the street
to see the Maltese Falcon instead.

Graduating from comics featuring Biggles
to Hans Anderson and the brothers Grimm
I became fascinated
by the mysterious and the macabre.

From Conan Doyle and Dennis Wheatley
to Poe, H G Wells, Mary Bysshe Shelley
and Dickens, Lord Lytton, Wilkie Collins
Ambrose Bierce and Sheridan Le fanu.

As well as Hammett, Chandler, Hemingway
Steinbeck, Faulkner and Mailer
Tolstoy, Dostoevesky, Kafka and Camus
with crazy Celine in between.

I loved the Newport Folk Festival
Tchaikovsky, Bach and Beethoven
Berlioz, Mozart, Mahler, Wagner
and the Trout Quintet by Schubert.

My fantasies overflowed
when I had dreams of a new career
as an army officer
standing proudly on parade.

To get a taste of army life
I joined the part-time C M F
and spent two weeks at camp
drilling and shooting at the range.

As that fantasy faded
I became infatuated with Sybil
a colleague at the office
whom I invited home to dinner.

Strap hanging back by train
until finally we were alone
and ardent in the living-room
where I could only inarticulately hover.

Eventually I walked her home
blissfully until
arriving at her street
where she left me abruptly – forever.

While recuperating from that disaster
Pop was extending our boundaries
by buying the adjoining land
with a home for my married brother.

Unable to qualify as an accountant
I was told I had to go
find another job
and begin somewhere else again.

A friend from Scotch
whose father owned a furniture store
managed to get me a job
as a despatch clerk.

I laboured diligently for a few dull years
lugging mattresses from the street
to the bedding department in an ancient lift
until I was dismissed.

Near the end of my drifting career
while vegetating lislessly at home
Pop suggested I train as an artist
at Swinburne Tech in Hawthorn.

I applied and was accepted
to begin the four year course
and try and justify my existence
to myself and everyone else.